In The Line of Duty (Gotham Central #1-2) Written by Ed Brubaker & Greg Rucka. Art by Michael Lark. Marcus Driver's partner Charlie is killed by Mr. Freeze while the pair are investigating a lead, making the MCU (Major Crimes Unit) aware of a bigger plot by Freeze. Renee Montoya is outed. Art by Michael Lark.Motive (Gotham Central #3-5) Written by Ed Brubaker. Art by Michael L...(展开全部)

Gotham City: a town teeming with corrupt cops, ruthless crime lords, petty thieves … and just a small handful that would oppose them. Grizzled veteran Harvey Bullock, Captain Maggie Sawyer, detective Renee Montoya and the GCPD are the law force that stands between order and complete anarchy. Gotham's Finest work around the clock to not only keep the world's most psychotic crim...(展开全部)

The first ten issues of the Eisner and Harvey Award-winning series is collected in hardcover for the first time! Written by Ed Brubaker (Captain America) and Greg Rucka (Detective Comics, 52), this series pitted the detectives of Gotham City's Special Crimes Unit against the city's greatest villains – in the shadow of Batman himself. This volume collects two cases of the Gotham...(展开全部)

Eviatar Zerubavel argues that most of the distinctions we make in our daily lives and in our culture are social constructs. He questions the notion that a clear line can be drawn to separate one time or object or concept from another, and presents witty and provocative counterexamples in defense of ambiguity and anomaly.

This is the special edition of "QUOTATION" Worldwide Creative Journal. Reporting on what is happening in the contemporary Japanese creative scene attracts attention from around the world, so for this issue "QUOTATION" have selected people and places from an array of media, and introduce them by category. It doesn't matter whether they are famous or not, the selections are made ...(展开全部)

What is the function of art in the era of digital gloablisation? How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of “neurocurating,” in which paintings surveil ...(展开全部)

What can we do when arms manufacturers sponsor museums, and some of the world’s most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, fake news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of f...(展开全部)

What is the function of art in the era of digital gloablisation? How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of “neurocurating,” in which paintings surveil ...(展开全部)

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent i...(展开全部)

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent i...(展开全部)